Adventure Mantra 2011

Soon it will be 2011, an entire decade from the maelstrom of 9/11. The creator of facebook has been crowned man of the year. Email is rendered uncool, as it's all about texting, apps and iPads. The economy is creaking uphill, and the book industry is in a chaotic swirl. As Vampire lit is trending out, Aronofsky's luminous film, Black Swan cements the trending in of magic realism, and the subsequent blending of horror and magical realism. Conan's back, and his holiday set has been designed by a freaky New Agey guy living in the California desert and sporting a beard and a shalwar kameez.
Life in the good ole US of A. Weirdness, color and adventure.

Which brings me to thinking about dreams and wishes for 2011. I'm not really interested in New Year's resolutions, as they tend to be dropped after a couple of weeks. I'm thinking more along the lines of an overarching dream.

Adventure! Go places that fire up your imagination and inspire your writing. For me, that's traveling to places less familiar to Americans. For me, it was India, Russia, and now China. In 2011 it may be Istanbul. Take a notebook and fill it with sketches, ramblings, observations.

Pamper yourself between stints of hard work. Go for that massage, that spa visit, a day hike, a leisurely bike ride with friends.

Make a new writer friend. Have lunch, dinner, or a cuppa joe. Establish a pen-pal back and forth. Exchange ideas!

Subscribe to a foreign online paper. The Shanghai Daily? The Guardian? Expand your tight circle of where you get your info.

Make a gratitude list of all of your accomplishments of 2010. Don't fall into the trap of thinking about what you didn't accomplish. For a warning on this, check out Kelly Hashway's great post on Finding Balance: http://www.kellyhashway.com/apps/blog/show/5663079-finding-balance

Above all, don't take yourself so darn seriously! Have fun with what you do.

Seek adventure, take calculated risks, and more adventure! That's my mantra of 2011.
What's yours?

I'll think of you all fondly when I'm standing on the Great Wall of China, and freezing my ___ off as the Mongolian wind roars over the mountains. Cheerio!

book giveaway!

Today was our very first snow here in Boston. I find writing in the winter particularly satisfying, because I don't have that feeling that I should be doing something else. Are you kidding me? It's freezing out there! Why not stay home in my cozy socks and sip tea? As long as I get some work done, of course.

And work is exactly what I have ahead of me. If the draft in my bag at the moment is any indication, there are global revisions on the horizon. This is enough to give me a writerly crisis, but as it is a holiday-ish time of year, I'm trying not to stress about it. Too much. Where will the doubt and worry get me? Nowhere. Just wound up like a peppermint twist by the time I actually sit down and work on my new draft.

As a distraction from my current writing woes, I've got a book giveaway to share with you! To enter, follow my blog at it's new home: www.alisalibby.com/blog. I'm giving away Lauren Strasnick's new novel, Her and Me and You; The Forest of Hands and Teeth by Carrie Ryan; Bewitching Season by Marissa Doyle; and, of course, signed copies of The King's Rose and The Blood Confession. I plan to send the books out next week, after the holiday rush. Please check it out.

I'll be sure to blog again soon about my revising (rewriting) adventures. Until then: deep breaths. Cozy socks. Lots of tea.

The Demise of the mega-bookstore?

Barnes and Noble and Borders are both reporting troubling numbers. B&N seems to be holding on just barely, but Borders is closing yet more stores. I was talking to another writer friend of mine, and we had some interesting thoughts about why this might be happening, beyond the looming bugaboo of e-books.

I've always thought it strange that, even though young adult books are the fastest growing and most lucrative genre going right now, Barnes and Noble stores dedicate comparatively little space to this genre. Fiction for adults takes up easily more than three times the room, even though YA novels sell like hot cakes, and not just to the target audience. Lots of adults read YA too. Seems as though B&N isn't quite keeping up with the trends in the marketplace. What's more, they stock a very limited selection of YA novels, dedicating huge amounts of shelf space to best selling writers and very little to the well-reviewed midlisters. So a voracious reader might easily exhaust the selection at the local B&N and instead resort to ordering books online, or going to the library, where there is a wider selection of quality writing.

My friend also had a very interesting thought. She feels that the larger stores neglect regional needs. There are plenty of writers, like her and me, who are very well known in their own geographic region because we tend to do events near our homes to cut on travel costs. Word gets around about local novelists, and people go to their local bookstores looking for their books. But try to find one of our books at the local B&N or Borders and you can't. So all the benefit of the publicity we do regionally is lost on the megastores, and the slack is taken up by independent bookstores (and more power to them) as well as online sales. 

Ask any ten readers about the threat of e-books to the printed tome, and the majority will tell you they are too attached to the sensory experience of holding a book. The smell of printer's ink, the feel of the rough paper under our fingertips --they're part of the pleasure of reading. Perhaps these megastores should stop looking at the scary boogie man outside their doors, staring through their windows with digital eyes, and instead focus inwardly on improving how they go about peddling that ancient technological innovation: The good old book.

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www.amykathleenryan.com

Thrilling Holiday Gifts for your Author Friends

The holidays are fast approaching and you need to find those perfect gifts, including ones for your writer friends! Susan Kaye Quinn’s fun post on her Ink Spells blog about holiday presents for writers got me inspired to research and think up more great gifts.

You could buy your special author friend a party dress made entirely out of paper—specifically, out of phone books, designed by the awesome Jolis Paon. What a cool way to recycle! How about a gift certificate to a day spa for a massage, focusing on your writer buddy’s troubled neck. Or what about a tropical cruise? Neal Schusterman, the YA thriller author swears by cruises, and says that’s where he writes his best novels! Does your friend like jewelry? What about custom jewelry for writers? Tickets to hear your friend’s favorite author speak will, no doubt, be appreciated. A chocolate keyboard? Or simply some random keys? If your beta reader has a philanthropic streak, you could donate money to his or her favorite scholarship fund. Pen.org, for instance, funds Freedom to Write and prison writing programs. Or you could donate to an SCBWI.org scholarship fund, such as the work in progress grant for a needy author. A gift certificate to your friend’s fave indie bookstore is always a sure bet. Does your friend like to entertain as well as write? Then how about a great authors coaster set? Cups that say “Be careful or you'll end up in my novel” are always conversations starters. Finally, for the fanciful cook or writer of historical fiction, you could always gift a digital Medieval cookbook, with recipes from 1390, some from Richard II’s own kitchen!

What is your dream present? Any other great ideas to add to the list? Feel free to list as many as you want! And don’t get too distracted by putting up the tree and making sprinkle cookies to keep on writing!

Are MFA programs really such a scam?

I just read this article in the Huffington Post about MFA programs. The main thrust of the article is to go after James Frey, who has created his own packaging business for young adult novels, and is courting writers by going into MFA programs and making presentations. I completely agree with this blogger when she says the programs shouldn't let Frey in, but I'm not sure I'm down with her take that many MFA programs are out to soak their students for money, without giving them the skills they need to survive as professional writers. I think more depends on the student than depends on the program. Here is the full text of the article:

http://www.huffingtonpost.com/hillary-rettig/a-million-exploited-mfas_b_787564.html

And here is the comment I wrote in response:

I agree that these MFA programs shouldn't let James Frey in for his song and dance. Nor should those students let themselves in for it. But in defense of MFA programs, I will say that I made connections in mine that have been invaluable to me professionally. And yes, I have published, and I've got a sustainable career as a writer. I may be in the minority, but I think that's because I didn't give up when the going got tough, and I've had a few lucky turns, for which I am very grateful. If not for my MFA program, I doubt I would have been in a position to be "lucky," and I might not have had the wisdom to avail myself of opportunities. MFA's aren't the only way to go, not by a long shot, but they're not all bad, either. (And incidentally, word to the wise, if you're planning on going for an MFA, get a job at the university you're attending if they offer a tuition benefit. Most do. My MFA was basically free. I had to work my butt off, but that's good prep for being a professional writer anyway.)

What do you think? Is Hillary Rettig being too hard on MFA programs, or am I being too easy on them? 

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www.amykathleenryan.com

This makes me think I'm with the right publisher.

My publisher is St. Martin's Press, which is a subsidiary of MacMillan, a company that is taking the lead in standing up to the e-book thugs of the publishing industry. Read this excerpt from an article in STANFORD MAGAZINE, written by Bridget Kinsella:

Macmillan moved to institute a different pricing model—one that reflected, as Sargent wrote in his blog, a belief that "the first release of an e-book is worth more and people will pay more for it." In general, Macmillan insisted that Amazon was an agent for its titles and the publisher had the right to withhold the release of e-book editions unless Amazon agreed to sell them at a price the publisher deemed fair. Under this plan, the e-book price of a new release generally would start at about $15—with the expectation that the price would fall to about $10 as demand waned.

Amazon responded immediately by stealthily removing "buy" capability from its listings of all Macmillan titles. Furor among authors and customers followed. (Bemusement, too. Macmillan, highlighting what was often perceived as Amazon's pettiness, took out a full-page ad in the New York Times to boost an important title likely to suffer from an Amazon "blackout" at the moment of its publicity push. The ad, for The Checklist Manifesto by surgeon Atul Gawande, '87, drolly noted, "Available at booksellers everywhere except Amazon.")

Within days, Amazon backed down. The result was the ascension of an "agency" pricing model friendlier to publishers and one that kept the playing field somewhat more level for booksellers. It was an audience of about 500 national booksellers, at a February meeting in San Jose, who rose to applaud Macmillan.

For full text, go here: http://www.stanfordalumni.org/news/magazine/2010/novdec/show/publishing.html

I'm glad I'm with MacMillan. I'm also glad that the publishing industry is being proactive about the e-book phenom. (I think they learned something about it from the music industry.)

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www.amykathleenryan.com

recharging

I liked Amy's last post about taking time to reflect in the midst of the writing process, getting your bearings before barreling ahead to the end of your draft. I've been doing my own brand of reflection lately: the kind that comes when a draft is done (for the moment) and it's time to put it aside and take a break.

So what do I do during this break? It's time to read as much as possible. I've got a too-long list of books to read, and I'm always eager to hear suggestions, if you have any! I'm also eager to watch movies and television programs that might spark a little something in my imagination. I am contemplating another project, of which I have an intriguing opening (at least, it intrigues me) and an outline that's not quite working yet; it's suffering a murky middle. I need to read and watch and think a lot to help clear this problem up.

Taking a break is fun, rejuvenating. But I can get a little twitchy - why am I not writing? I've got SO MUCH to do, so little time to do it. I should get going, shouldn't I? But this non-writing time is part of the process, too. Best not to rush it.